Emotional Map Project
if your motions through your day created an emotion, what type of emotion would that be?
How does this emotion sit on top of a map and color it, texture it, give it shape? If your home were an eyeball and you were the retina, what information would it take in, your home being the nexus of your map? Job? School? Play?
Who do you want to fuck within a 10 mile radius? Do their physical appearances form a pattern? What would a google map of sex look like for you?
How does your map contain you? if you were to redraw your prison, what would it look like?
Help us draw a map of the places that move you, add interesting points of reference, images, stories, descriptions, music or whatever else these places inspire or mean to you.
Thread @ Littlefield
Thread: Sept 3 : Drumming
Thread is a new performance series that attempts to pair performing artists from different genres, mediums and audiences that share commonalities. This evening features variations on percussion music.
admission: $8, doors: 7pm, 21+
at http://www.littlefieldnyc.com/
Performers:
http://www.myspace.com/kevinshea
Kevin Shea is a drummer known for his work with Talibam, and scores of other musicians. In his solo performance, “Sexy Thoughts,” Kevin plays the drums, talks, and dismantles his drumset until it is lying in pieces around the room.
Mantra Percussion
www.myspace.com/mantrapercussion
Formed in September 2007, Mantra Percussion is dedicated to expanding the future of percussion, living in the present, and celebrating the past. Mantra Percussion commissions pieces by prominent composers to substantially expand the percussion repertoire, commissions young composers to breathe new life into the art, and performs classic repertoire from the past to remind us why we are here.
Cameron Wisch and Eric Barry Drasin
www.myspace.com/cameronwischmusic
http://ericbarrydrasin.com/
Cameron Wisch performs avant rock music on an acoustic drum kit along with a laptop as Eric Drasin beams projections onto the audience and stage. A camera captures the movement of the audience and is analyzed by a laptop to form a ‘feedback loop’ of light, echoing and enhancing the energy of the room.
Sunshine Supreme
Nate Crepeault and Eric Barry Drasin perform live sampled improvised compositions for drums, bass, computers, video, voice, and aerobics.
Except where otherwise noted, content on